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Gibson thunderbird red9/12/2023 ![]() A 3-point adjustable bridge provides a full range of adjustment for action and intonation, while Hipshot® Ultralite® tuning machines hold down the strings at the other end and deliver accurate and stable tuning while keeping headstock weight low to improve balance. The Non-Reverse Thunderbird is equipped with a Graph Tech® nut. The three-ply white pickguard features the iconic Thunderbird graphic. A master tone control rounds out the simple yet highly effective control layout. Other colors on the chart were Heather Poly, Pelham Blue Poly, Golden Mist Poly, Kerry Green, Silver Mist Poly, Inverness Green Poly, Ember Red, Frost Blue, and Polaris White. Equipped with a Non-Reverse mahogany body and mahogany neck with a rosewood fretboard and 20 medium jumbo frets, each of the two Thunderbird pickups has a volume control, allowing you to use them separately, or to blend them in any amount you prefer. Ten colors were available, including the gorgeous Cardinal Red that drapes this 1965 example. Pickguard is wrapped in leather, red Xs are removable deals (dots underneath) added kill switch. Now you have the opportunity to make one of these relatively rare 'birds your own with the release of the GIBSON Modern Collection Non-Reverse Thunderbird (BANT00VNCH1) solid body electric bass. The Non-Reverse Thunderbird's distinctive styling and huge, thunderous tone make it a standout on stage and in the studio. Everything in stock at our e-shop and in-store. Nickel-plated: Kluson tuners with metal buttons fully adjustable four-saddle bridge stop tailpiece bridge and pickup covers.Ever since it was first released back in 1965, the Non-Reverse Thunderbird has been THE choice for forward-looking bassists who want to make their own path and steadfastly refuse to follow the crowd. Purchase GIBSON Firebird Cherry Red from the largest seller of musical instruments. Gold Gibson logo on black truss rod cover three-ply (w/b/w) pickguard with bevelled edge and Firebird emblem two metal cap/reflector knobs labelled Volume and Tone 1964 Gibson Thunderbird IIĪsymmetrical reverse design tuners on bass side raised middle section black/ natural finish Exotic-sounding enough, but the regular, less expensive sunburst finish proved to be the most popular choice by far.Īlas, the Thunderbirds were not deemed popular enough to remain in production beyond the 60s, and with sales dropping off towards the end of the decade manufacturing ceased in 1969. 24 watching 2012 Gibson USA Thunderbird IV Bass Cherry w/OHSC 1,879.00 59. Taking inspiration from Fender, the finishes included Ember Red, Frost Blue, Polaris White, Cardinal Red, Heather, Pelham Blue, Golden Mist, Kerry Green, Silver Mist and Inverness Green. Pictured at Guitars: The Museum in Umeå, Sweden, this custom colour 1967 Gibson Thunderbird II is of the later non-reverse variety. As before, the II and IV were structurally identical – the main difference being pickups and electronics (the IV sported an extra volume knob as per its second pickup).įrom its inception back in ’63, one of the range’s main selling-points was Gibson’s all-new custom color chart, and these options extended into the latter half of the 60s. Designed to meet the musical needs of modern bassists, it features the classic Reverse Thunderbird body and headstock shape. Regardless, the revamped Thunderbirds arrived that year featuring glued-in necks. Gene Simmons is a legendary rock icon and the bassist from KISS, and his new Gibson Gene Simmons G2 Thunderbird Bass reflects his tastes. It seems reasonable to presume that the Fullerton firm was distracted enough by its CBS takeover during 1965 not to interfere. Interestingly, however, the ‘non-reverse’ design that followed – a virtual mirror image of the reverse counterpart – appears much closer to the Fender offset with respect to body and headstock profile. What better way to return to the drawing board than with a bona fide automotive designer? Well, that was the thinking when Gibson hired Raymond Dietrich And with Fender claiming a patent infringement of its Jazzmaster body styling, Gibson was further prompted to overhaul the entire range. ![]() The reverse Thunderbirds, it seems, were doomed from the start. And while a laminated neck-through-body construction provides great stability and tone, reverse Thunderbirds are especially prone to headstock breaks (aka Firebird disease) – a problem exacerbated by the instruments’ heavy Kluson tuners. Indeed, Gibson still maintains the reverse ’Bird is one of the trickiest to produce.
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